The recent All Good Festival’s no-overlapping-sets format has ignited buzz across fan forums like r/jambands, spotlighting a scheduling style that lets attendees savor every act without conflicting choices. This approach, a nod to All Good’s original dual-stage design, creates a synchronized communal vibe where the whole crowd moves together through each set.
Attendees praised the setup for eliminating difficult decisions between simultaneous acts, enhancing the overall festival flow. Some even shared tales of navigating the mountain-top site’s tricky crowd, including a creative mask-wearing fan who parted the sea of revelers with style.
This model isn’t unique to All Good. Festivals such as Northlands NH, Bourbon & Beyond, High Water Fest, and Sol Fest have also embraced staggered or no-overlap scheduling—ensuring non-conflicting sets and sustained music without sacrificing full set experiences.
That said, opinions split. While many laud full access and vibe unity, others miss the crowd-thinning and rush of overlapping sets that offer parallel adventures and eclectic discovery.
This spirited debate underscores a growing trend: with lineups often stacked, how festivals orchestrate their schedules is key to shaping crowd dynamics and attendee satisfaction. The no-overlap experiment at All Good and peers keeps the conversation alive on how to balance music access, crowd flow, and set length to maximize festival magic.
Source: r/jambands
