Inside Jay Penske’s Media Empire and SXSW’s 50% Ownership: What It Means for the Festival

Jay Penske (son of right-wing founder of Penske Corp, Roger Penske) owns Variety, Rolling Stone, Deadline, Billboard, The Hollywood Reporter, as well as the Golden Globe Awards, Country Music Awards, and the Billboard Music Awards, and is a 50 percent owner of SXSW.

Jay Penske, the CEO of Penske Media Corporation (PMC), holds a significant 50% ownership stake in South by Southwest (SXSW), the iconic festival celebrating music, film, and technology. His portfolio extends far beyond SXSW, encompassing an expansive media empire and major entertainment award shows.

Jay Penske’s Media Holdings

PMC owns and operates some of the most influential media outlets in entertainment and culture, including:

  • Variety
  • Rolling Stone
  • The Hollywood Reporter
  • Billboard
  • Vibe

This consolidation of heavyweight publications paints a picture of extensive influence over industry coverage and narratives.

Award Shows Under PMC

Through PMC’s ownership of Dick Clark Productions, Jay Penske controls high-profile award ceremonies such as:

  • Golden Globe Awards
  • Country Music Association Awards
  • Billboard Music Awards

These franchises amplify PMC’s reach into live entertainment events and industry recognition.

The SXSW Ownership and Community Reaction

The participation of the Penske family at SXSW — notably Jay’s 50% share — has stirred discussion within the community. Some festival fans and industry watchers are worried about increasing corporate and political influence over what was once an indie-driven, grassroots event. The image circulating on r/sxsw showing Jay Penske alongside his father Roger Penske, who has historic ties to corporate and political figures including a medal awarded by former President Trump, symbolizes this intersection of business and power.

What’s at Stake?

While Jay Penske’s business acumen has grown PMC into a dominant media force, questions remain about how this might impact SXSW’s programming and festival culture. The current atmosphere reflects a cautious skepticism:

  • Ewww — A common reaction from some community members about corporate involvement.
  • Calls for Change — Voices asking how to influence or reverse the trend toward consolidation.

Bottom Line

Jay Penske’s control over both enormous media outlets and a substantial SXSW stake is a defining feature of the evolving festival landscape in 2025. Whether this leads to stronger commercialization or a more polished festival experience is the ongoing debate within the SXSW faithful.


Further reading:

Stay tuned to Festival Wire as we track any updates on SXSW’s ownership dynamics and its future direction.

Source: r/sxsw

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